You don‘t even have to love coffee in order to appreciate these super creative latte foam artworks by Japanese artist Kazuki Yamamoto. And we‘re not talking about the little smiley faces or flat palm tree patterns: this 26-year old latte artist, based in Osaka, creates actual 3D foam sculptures in the coffee mugs of the Cafe10g visitors. This thinking outside the box – or, rather – outside the cup – even gave Kazuki the idea to make the coffee foam climb out of one cup and reach for another. That way you might be served with a cup of coffee where a cat is trying to get into another one next to it, where tiny fish are swimming.
May 19, 2013
Mike Jeffries
c/o Abercrombie & Fitch
Abercrombie & Fitch Campus
6301 Fitch Path
New Albany, Ohio 43054Hey Mike,I know you’ve been flooded with mail regarding your comments on sizeism, but I wanted to take a second to write you about a project I’ve been working on.As a preface: Your opinion isn’t shocking; millions share the same sentiment. You’ve used your wealth and public platform to echo what many already say. However, it’s important you know that regardless of the numbers on your tax forms, your comments don’t stop anyone from being who they are; the world is progressing in inclusive ways whether you deem it cool or not. The only thing you’ve done through your comments (about thin being beautiful and only offering XL and XXL in your stores for men) is reinforced the unoriginal concept that fat women are social failures, valueless, and undesirable. Your apology doesn’t change this.But oddly enough, that’s not all you have done. You have also created an incredible opportunity for social change.Never in our culture do we see sexy photo shoots with short, fat, unconventional models paired with not short, not fat, professional models. To put it in your words: “unpopular kids” with “cool kids”. It’s socially acceptable for same to be paired with same, but never are contrasting bodies positively mixed in the world of advertisement. The juxtaposition of uncommonly paired bodies is visually jarring, and, even though I wish it didn’t, it causes viewers to feel uncomfortable. This is largely attributed to companies like yours that perpetuate the thought that fat women are not beautiful. This is inaccurate, but if someone were to look through your infamous catalog, they wouldn’t believe me.I’ve enclosed some images for your consideration. Please let me know what you think.A note: I didn’t take these pictures to show that the male model found me attractive, or the photographer found me photogenic, or to prove that you’re an ostentatious dick. Rather, I was inspired by the opportunity to show that I am secure in my skin and to flaunt this by using the controversial platform that you created. I challenge the separation of attractive and fat, and I assert that they are compatible regardless of what you believe. Not only do I know that I’m sexy, but I also have the confidence to pose nude in ways you don’t dare. You’re are more than welcome to prove me wrong by posing shirtless with a hot fat chick; it would thrill me to see such a shoot.I’m sure you didn’t intend for this to be the outcome, but in many ways you are kind of brilliant. Not only are you a marketing genius (brand exclusivity really is a profitable move) but you also accidentally created an opportunity to challenge our current social construct. My hope is that the combination of these contrasting bodies will someday be as ubiquitous as the socially accepted ideal.Ever so sincerely,
JesP.S. If you would like to offer me a “substantial amount” to stop wearing your brand so my association won’t “cause significant damage to your image”, don’t hesitate to email me. I respect you as a business man, and my agent and I would be happy to contribute in furthering your established success.P.P.S. You should know your Large t-shirt comfortably fits a size 22. You might want to work on that.Jes over at The Militant Baker has done it again
Amazing 3D Latte Art Kazuki Yamoto
Cool coffee foam art by Kazuki Yamamoto
Besides these meticulous 3D sculptures, Kazuki also does some amazing flat latte art. His subjects vary from manga and video game characters to portraits of such people as Albert Einstein or John Lennon. Kazuki says his dream is to open up a his own cafe in Tokyo one day. For more 3d latte art, be sure to follow him on twitter.
YOU NIQQAS WANNA LEARN ELVISH?! HERE YA GO!
this makes me think about the post about the two girls who didn’t want to get caught sendes notes in class so they learned elvish
Dr. William Forscher Experiment Log
Experiment #04781: Magnesect, the Mournful Pokémon.Early research conducted on the evolution of Paras into Parasect and the process involved with its spores concluded that the spores themselves became the dominant life-source of the Pokémon upon growth. This information was first published by Professor Oak, creator of the Pokédex; however, it’s theorized that early Pokémon masters had a rudimentary understanding of the relationship between the insect and its spores, given the often impersonal relationship maintained between most publicized Parasect trainers and their Pokémon. These trainers would often have strong bonds with their team, yet would utilize Parasect as a type of organic machine, rather than a living creature.
Further study into the curious nature of the Pokémon revealed that, upon evolution, the spores of the Pokémon seem to simply put it in a catatonic state. Though the mushroom does the primary ‘thinking’, the body is still alive in its most basic form, and is still capable and required to function as a living host in order for the spores to stay healthy and strong. It was observed that Parasect consume organic matter for its energy to revitalize the mushroom atop its back; ergo, it was hypothesized that the mushroom was supplying the Pokémon vital nutrients for survival.
In conducting Experiment #04781, our goal was to determine the effects of a living, conscious host integrated with its organic master. After numerous unsuccessful attempts to revive the creature within the mushroom— experiments which often resulted in the release of defensive toxic spores from its back— it was suggested that a secondary, non-organic host be spliced with the Pokémon to balance the attention of the controlling spores released into it. Magnemite was proposed as both an excellent non-organic Pokémon test subject as well as an acceptable power source to successfully revitalize the catatonic creature within the mushroom.
For the purposes of the experiment, we gave #04781 a name: Magnesect. This spliced Pokémon went through several variant degrees of applied electricity before a successful, living result was created. The Magnemite was spliced and dominantly maintained control of the creature’s brain, purging the spores from within it. Its bolts were recreated and used to secure its mutated form in place within the Parasect’s body. The strain of the machine on the Pokémon caused many fissures in its exoskeleton, exposing ligaments often associated with non-insect life.
For the Pokémon itself, the Parasect life-form is capable of seeing— visual electronic receptors installed within the body of the Magnemite that connect to its limited occipital lobe— and is capable of digesting food without the aid of the mushroom cap on its back. Injuries caused from the splicing have shown some consequence: the spores have increased in ferocity within the Pokémon, and are far more numerous. Despite our best efforts to maintain a consistent harmony between the influence of the machine and the mushroom’s spores within the Pokémon, a constant battle for dominance between the two are observed within the Pokémon, with the life-form caught in the painful struggle.
Attempts to raise Magnesect have resulted in across-the-board failure. The Pokémon appears to be in constant, endless pain from these struggles. It seems to only eat via command of the machine and mushroom controlling it; when these influences are forced ‘off’, it ceases all function in an attempt to end itself through malnourishment. Its enhanced vision is put to little use due to visual warping caused by its perpetual tearing and cries. The only seeming benefit of this genetic splicing is the result caused upon the spores themselves: their viciousness and toxicity is unlike any other seen within the Pokémon world. It’s as though it’s attempting to adapt to the machine within the creature in an effort to purge it from— or envelope it into— the Pokémon’s physiology.
Continued research and study is suggested: over time, the spores may well adapt into life previously unseen, and the Pokémon may be perfected into new form. With the influence of machine within it, it’s entirely possible that a perpetual state of evolution may be attained over multiple generations. Currently, however, it is not recommended as a battle-ready Pokémon, unless put to use against opponents who utilize non-offensive strategies early in battle— again, the toxicity of its spores are truly amazing.
Submitted for your review. Attached is our suggested entry for our catalog of experimental Pokédex entries. This information is confidential, and should not be published to the National Pokédex.
Details regarding our other ongoing experiments forthcoming.
Pokédex Entry: Its pained cries are filled with sorrow. During battle, it seems to act more aggressive and desperate when its opponent is not attacking it.
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Artist’s Notes
I wanted to jump in and join the pokemon fusion fun :D Picked Magnesect because it looked really interesting and undead. To give it a nice touch, I requested by husband to put some background to it :]
holy shit
Pokemon: SCP Version
hopping on this bandwagon
TOO ADORABLE
What a cutie pie <3
I think there should be an AU pokemon game where species get spliced. Including the cuteness, the awesomeness, and naturally, the horror, of possible splices…

